WEEPING WOMAN
[after Picasso]
Excoriated face, fleshed out in rictis.
Out of their lid cups, eyeballs spalling.
Tears, nine inch worms. Knobs of tears
on the spikes of cries. Dora Maar
flounder-eyed with finger-bitten knotted
handkerchief. Sausage-fat Dora
fingerpillars burrowing facial faults.
The garbage of her face filling with glass.
Whose face is at tug-of-war in my face?
Is it you Mater Dolorosa?
“Malaga, how I am weeping!
Malaga, how I weep and weep!”
PARADE
Mr. Wheelhead in top hat with feather-fiery fuse.
He’s blind. He leads the parade.
Rolling in place, he’s followed by Mr. Tenpinhead,
paintbrush hair, legless
on rusted turned-sideways wheels.
He’s got a flag on a tall wire, stiff in no wind.
Childhood frozen like a goofy parade.
Toys as a form of sleep’s wheeled yet wooden gestures.
With stump arms too short to reach the steering wheel,
Mr. Gnome is driving the Caged Animal Truck.
Mr. Nearlyalllegs is a white, striped, split pole,
glove hand on a long arching stick.
Each toy a cartoon of our wandering about
Hotel Kendall’s lobby, buffet-breakfast bound.
All of us on wheels that don’t belong,
all of us shadowed by a tall gown-billowing lady
thrusting up her parasol. She too is on wheels,
mouth a smeared yawn.
[Cambridge MA, 21 October 2007]