clayton eshlemannerve_bios_5.html

WEEPING WOMAN

  1.                                          [after Picasso]


Excoriated face, fleshed out in rictis.

Out of their lid cups, eyeballs spalling.


Tears, nine inch worms. Knobs of tears

on the spikes of cries.  Dora Maar


flounder-eyed with finger-bitten knotted

handkerchief. Sausage-fat Dora


fingerpillars burrowing facial faults.

The garbage of her face filling with glass.


Whose face is at tug-of-war in my face?

Is it you Mater Dolorosa?


“Malaga, how I am weeping!

Malaga, how I weep and weep!”






PARADE


Mr. Wheelhead in top hat with feather-fiery fuse.

He’s blind. He leads the parade.


Rolling in place, he’s followed by Mr. Tenpinhead,

paintbrush hair, legless

on rusted turned-sideways wheels.


He’s got a flag on a tall wire, stiff in no wind.


Childhood frozen like a goofy parade.

Toys as a form of sleep’s wheeled yet wooden gestures.


With stump arms too short to reach the steering wheel, 

Mr. Gnome is driving the Caged Animal Truck.


Mr. Nearlyalllegs is a white, striped, split pole,

glove hand on a long arching stick.


Each toy a cartoon of our wandering about

  1.    Hotel Kendall’s lobby, buffet-breakfast bound.

All of us on wheels that don’t belong,

all of us shadowed by a tall gown-billowing lady

  1.    thrusting up her parasol. She too is on wheels, 

  2.            mouth a smeared yawn.


  

  1.                              [Cambridge MA, 21 October 2007]